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La Mariée (Têtes à Massacre) / The Bride (Aunt Sallys) (1907)

Georges Rouault

oil on paper mounted on canvas

Tate, London, Liverpool and St Ives

La Mariée (Têtes à Massacre) / The Bride (Aunt Sallys) (1907)

© ADAGP, Paris and DACS, London 2019 Tate

Details

Classification:

Painting

Materials:

Oil, Paper, Canvas

Physical Object Description:

Inscribed '1907 | G. Rouault' bottom right.

Dimensions:

74.9 x 105.4 cm

Accession Number:

N04799

Credit:

Presented by the Contemporary Art Society, 1935

Ownership history:

Gustave Coquiot (1865-1926), Paris; with Bernheim-Jeune, Paris, 1924; with the Independent Gallery, London, 1925; purchased by the Contemporary Art Society, 1926; presented to the Tate Gallery, 1935

Subject:

Bride, Marriage

Traditionally, in the UK, the 17th-century game ‘Aunt Sally’ was played in pub gardens and at fairgrounds whereby sticks were thrown at a ball or a figure. In France it is called ‘jeu de massacre’. This life-size picture was for years misleadingly called just ‘The Bride’ or when exhibited in 1907 ‘The Bride (puppets)’ until the artist himself changed it in 1953 to ‘Têtes à Massacre’ as he said the bride was not real.

It was purchased by the Contemporary Art Society with its new Foreign Fund from the CAS Hon. Secretary Ivor Spencer-Churchill’s friend Percy Moore Turner’s Independent Gallery, London in 1925. It was accepted by the Tate Gallery 10 years later and 5 years before Rouault’s Les trois juges (The Three Judges) was acquired, also by the Tate, from the Montague Shearman bequest to the CAS.

All rights reserved. Any further use will need to be cleared with the rights holder. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending is prohibited. The collection that owns this artwork may have more information on their own website about permitted uses and image licensing options.

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