Steven Claydon works in an array of media including sculpture, painting, film, performance and music. He considers sound as a sculptural medium, merging sensory elements such as light, smell, and sound with tangible materials to create pieces that defy initial interpretation. A collector of cultural artefacts, Claydon repurposes objects into sculptures that are full of intentional contradictions. Presented without hierarchy, Claydon’s sculptural arrangements question the ways in which the museum and history ascribe value to objects and works of art. In (Joanna) The Concealment and the Showing Forth (2010), objects including a wine bottle, glasses and a light bulb have been recreated in metal and wood. They are arranged on a structure that resembles a piano (‘Joanna’ in Cockney rhyming slang), highlighting the importance of music and sound in Claydon’s work.